Photographic work develops primarily through projects and series.
Rather than focusing on the spectacular, my work is concerned with what remains when the unnecessary disappears. Form, light, material, and structure are recurring elements.
Reduction plays a central role, not as a style, but as a decision. The work is less concerned with staging or visual effects than with conditions, traces, and forms of order that reveal themselves through careful observation.
Many works emerge from a precise and deliberate process. Perspective, light, and composition are consciously chosen, while remaining open to those quiet moments when something suddenly feels right.
Rather than isolated images, the focus lies on relationships and sequences. Working in series allows subjects to unfold through rhythm, repetition, and variation.
Photography is not understood here as an attempt to explain the world.
For me, it is a way of looking more carefully.
